Edmund Evans and Myles Birket Foster
Myles Birket Foster (1825-1899) and Edmund Evans (1826-1905) were among most prominent creators in the second half of 19 century. Birket Foster was probably most important water colourist of his time and Evans best engraver and most influential printer who should be credited as one of the fathers of the picture book as specific media. They both worked at Ebenezer Landells (1808-1860) as apprentices and formed lifelong friendship.
Although both extremely talented for engraving Evans and Birket Foster honed their skills in different directions. First became printer who wanted to produce quality books for the masses and was one of pioneers of color printing, second became painter and illustrator. Edmund Evans managed to take full advantage of chromoxylography, printing techinique which was initially developed for cheap serials but allowed pretty amazing results with clever usage of color mixing. Myles Birket Foster soon became interested in water coloring, but transferred his sense for details from engravings to painting canvas where he created totally new style which made him extremely popular.
This two important men collaborated at several projects and I decided to present two of the earliest.
First is the book written by another amazing person, Ida Pfeiffer (1797-1858). This lady from Vienna, Austria traveled to the countries and places where only most brave men dared to go. Just for reminder: we already presented some works of another interesting lady from the same era: Mary Louisa Molesworth, who also traveled a lot but used her experience to write romantic novels and moralistic stories for young ladies. Book, written by Ida Peiffer is different. It is classical travelogue. Visit to the Holy Land, Egypt, and Italy was published in 1852 by Ingram Cooke & Co., London. Birket Foster made illustrations and Evans engravings. These are the results:
We should note Myles Birket Foster traveled a lot too. His paintings were made all over the Europe (he especially liked Venice, Valley of Rhine and Swiss lakes) and North Africa.
One of his next collaborations with Evans has similar scenery with religious background. He was again illustrator and Evans wood engraver. The book is titled Sabbath Bells Chimed by Poets and it was published in 1856 by Bell and Daldy (London) and D. Appleton and Co. (New York). It is another presentation of Birket Foster’s love to landscapes and Evans’ printing skills. It’s a collection of poems by various authors, all related with Sundays, prayer and contemplation.
Main complaint to Birket Foster’s work is probably idealized presentation of nature but we have to admit his sense for details is astonishing. These early projects of Edmund Evans and Myles Birket Foster are relatively hard to find in good condition, so if you find one of fist editions in your attic, handle it with care. It just might be several hundred or even thousand dollars worth…
Now you know!